Dear All,
We shall be showing some selected films from South America in the coming few weeks. The first one in the series was “Machuka” which was shown last week.
The films usually are a reflection of the society in which they are produced and Machuka narrated the events of the overthrow of the socialist government of Allende by the US backed army coup in 1973.
Coming Sunday we are screening a film which shows the acute water crisis faced in Bolivia and how the corporations are exploiting it – a precursor to what will happen in many parts of the world in times to come.
Even the Rain (Spanish: También la lluvia) is a 2010 drama film directed by Icíar Bollaín and written by Paul Laverty. The plot concerns Mexican director Sebastián (played by Gael García Bernal), Spanish executive producer Costa (played by Luis Tosar), and their group of actors who travel to Bolivia to shoot a film depicting the Spanish conquest of the New World. The members of the Spanish film crew unexpectedly find themselves in a moral crisis when they arrive in Cochabamba, Bolivia, during the intensifying Cochabamba Water War, in which their key indigenous actor Daniel (Juan Carlos Aduviri) gets increasingly involved.
Shot in Bolivia, it is an internationally co-produced film by companies from Spain, Mexico and France.
The film received nominations and awards internationally, including an Ariel Award for Best Ibero-American Film and three Goya Awards. It was selected as the Spanish entry for the Best Foreign Language Oscar for the 83rd Academy Awards, making the January shortlist.
Plot:
TAMBIEN LA LLUVIA sets up an intriguing dialogue about Spanish imperialism through incidents taking place some 500 years apart, while examining the personal belief systems of the members of a film crew headed by director Sebastian (Gael Garcia Bernal) and his producer Costa (Luis Tosar) who arrive in Bolivia to make a revisionist film about the conquest of Latin America. Set in February and March of 2000 when real-life protests against the privatization of water rocked the nation, the film reflexively blurs the line between fiction and reality in what Variety calls "a powerful, richly layered indictment of the plight of Latin America's dispossessed." Carlos Aduviri is dynamic as a local who is cast as a 15th century native in the film, but when the make-up and loin cloth come off, he sails into action protesting his community’s deprivation of water at the hands of the government. Meanwhile, Gael Garcia Bernal’s Idealist film director is as relentless as Werner Herzog infamously was in making FITZCARALDO, pushing ahead against all odds, ignoring the prevailing danger about disruption at any moment. Despite the devastation emerging around him, Sebastian seems unable to engage with any emotion over a dogmatic desire to get his film done.