Three hundred and fifty artisans from across India and Central Asia. Bhadohi carpets, Madhubani painting, Firozabad glass, Uttarakhand's revived Ringal craft. Bought directly from the hands that made them, in the one fortnight of the year that sits between Dussehra and Diwali.
In thirty years, this stage has held some of the finest practitioners of Indian music, dance, and craft to have walked any stage in the country. A few of them are no longer with us. Their performances at Virasat remain part of the record.
Virasat has grown the way living traditions do. One more artist each year, one more corner of the country represented, one more family returning every October. That growth has finally outgrown the grounds that first held it.
This year, the festival moves to the Himalayan Cultural Centre in Kaulagarh, Dehradun. A state-of-the-art auditorium holds the performances that call for four walls and true acoustics. An open-air amphitheatre holds the ones that don't. And terraces open straight onto views of Mussoorie and the mountains beyond, so the hills stay part of the evening even between acts.
Landscaped grounds give the crafts bazaar and the food festival room to breathe, and to grow with the crowds who come for both. Parking at the adjacent helipad ground means getting here is as easy as the evening that follows.
Virasat isn't moving to a bigger venue. After three decades, it has found one that finally fits, for the youth discovering the festival for the first time and the families who have returned since the very first edition.
Open to everyone, all fifteen days. Bring whoever you think should see this.
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